Nanna Bayer
Studio

The pattern lives in the clay.

Nerikomi ceramic vessel showing layered coloured-clay inlay pattern
Nerikomi vessel, 2024
Nerikomi

Pattern from within

Nerikomi is a Japanese technique of layered coloured-clay inlay. The pattern is not applied — it lives inside the clay body itself. Each slice of the loaf reveals something different. Each vessel is the record of a decision made in the dark.

Interior of a ceramic kiln — intense orange glow against deep shadow
Kiln & Process

Work that holds the memory of heat.

The kiln is not a finishing step. It is where the work becomes itself — or doesn't. Glaze chemistry, atmosphere, time. Some pieces survive. Some don't. All of them carry what happened.

Ecological Sculpture

Making from the land.

Not decoration. Not function. These works come from specific places — Tasmanian bush, coast, stone. The ceramic holds the memory of a particular hillside, a particular light. Objects that belong to their site.

Abstract ceramic sculpture in Tasmanian bushland — earthy tones blending with eucalyptus greens
To see the work → Work